You may hear Richard Tucker performing Verdi's " La Traviata" with Robert Merrill, Anna Moffo and the Rome Opera Orchestra conducted by Fernando Previtali in 1961 You may hear Richard Tucker with Fausto Cleva conducting the Columbia Symphony Orchestra in popular arias from Giacomo Puccini's operas in 1959 This debut, one of the most successful in the annals of the Met, heralded Tucker's 30-year career as the leading American tenor of the Met's postwar era.Īs the Duke in Rigoletto, 1971. On January 25, 1945, under the baton of Emil Cooper, Tucker made his debut as Enzo Grimaldo in La Gioconda. When Met general manager Edward Johnson came unannounced to the Brooklyn Jewish Center to hear Tucker sing, however, Johnson offered the tenor another audition and soon awarded him a contract. Contrary to his teacher's advice, Tucker entered the Metropolitan Opera "Auditions of the Air" in 1943, but did not win. Operatic career Īlthough Peerce remained skeptical of Tucker's singing talent and did not overtly encourage his operatic ambitions (causing an unfortunate rift between the two brothers-in-law and their families, which apparently never completely healed), Peerce did play a role in introducing Tucker to conductor and arranger Zavel Zilberts, who coached Tucker until he came to the attention of Paul Althouse, a notable tenor whose operatic career had begun during Enrico Caruso's reigning years at the Met. When Peerce made his much-acclaimed debut at the Met on November 29, 1941, his sister and her new husband were living with Peerce's parents. Under the management of Sol Hurok, the eldest of the Perelmuth offspring, now renamed Jan Peerce, reached his goal when the general manager of the Metropolitan Opera Company, Edward Johnson, offered him a contract after an impressive audition. At the time of Tucker's wedding to their daughter, the Perelmuths' musically gifted eldest son, Yakob, had progressed from a part-time jazz violinist and lyric tenor vocalist to a national radio star who had already set his sights on an operatic career. On February 11, 1936, Tucker married Sara Perelmuth, the youngest child (and only daughter) of Levi and Anna Perelmuth, proprietors of the Grand Mansion, a kosher banquet hall in Manhattan's Lower East Side. Until then, Tucker's income derived mainly from his weekly commissions as a salesman for the Reliable Silk Company in Manhattan's garment district. Eventually, he progressed from a part-time cantor at Temple Emanuel in Passaic, New Jersey, to full-time cantorships at Temple Adath Israel in the Bronx and, in June 1943, at the large and prestigious Brooklyn Jewish Center. As a teenager, Tucker's interests alternated between athletics, at which he excelled during his high-school years, and singing for weddings and bar mitzvahs as a cantorial student. His musical aptitude was discovered early, and was nurtured under the tutelage of Samuel Weisser at the Tifereth Israel synagogue in Lower Manhattan. His father, Sruel (Sam) Ticker, and mother Fanya-Tsipa (Fanny) Ticker had already adopted the surname "Tucker" by the time their son entered first grade. Tucker was born Rivn (Rubin) Ticker in Brooklyn, New York, the son of Bessarabian Jewish parents who immigrated to the US in 1911. Long associated with the Metropolitan Opera, Tucker's career was primarily centered in the United States. Richard Tucker (August 28, 1913 – January 8, 1975) was an American operatic tenor and cantor. Tucker in costume for Andrea Chénier, with Mario Lanza (right), who was a great fan of Tucker's, after Tucker's 1958 Covent Garden debut. For other uses, see Richard Tucker (disambiguation). This article is about the American operatic tenor.
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